Show the Fire Read online

  Show the Fire

  Susan Fanetti

  Susan Fanetti (2014)

  * * *

  Tags: Literature & Fiction, Genre Fiction, Family Saga, Romance, Romantic Suspense, Sagas, Mystery & Suspense, Suspense

  Len Wahlberg, the Night Horde MC’s Sergeant at Arms, has had Isaac Lunden’s back for decades. A loner at heart, he has needed no closer bond than the brotherhood of his club. For years, he’s preferred to take his women in groups, because he has neither needed nor wanted the intimacy of a coupling.

  But after he’s seriously wounded in a firefight, feeling his age and mortality more acutely than ever before, he discovers that his own company isn’t enough any longer. He needs a stronger, more intimate bond, and he finds that connection in an old friend.

  Natasha Westby is a club daughter. Her father, the Horde’s first SAA, raised her alone, within the rough and rowdy walls of the clubhouse. After a torrid, youthful affair with Isaac ended in public humiliation and heartbreak, Tasha left Signal Bend and found a safe distance from which to make a life—close enough to stay connected to her family, but far enough to live her life outside the club. She built a complete, contented, unconventional life that has little to do with Signal Bend or her club family.

  As a doctor working at the nearest hospital, she finds herself involved more and more deeply with the club as its business becomes more and more dangerous. When her family ties finally upend her separate life, she is drawn back home and into Len’s arms.

  While Len and Tasha try to understand and define their connection to each other, and Tasha struggles with her reentry into the world of the club, the Horde’s unwilling entanglement with a dangerous drug cartel becomes deadly. Fighting for justice and freedom against a man who will commit any atrocity to assert his power, the Horde family experiences pain and loss the likes of which it has never known before.

  Love and hope are all they have left.

  Note: Dark themes. Explicit sex, graphic violence.

  SHOW

  THE

  FIRE

  The Signal Bend Series

  Book Six

  By

  Susan Fanetti

  THE FREAK CIRCLE PRESS

  Show the Fire © Susan Fanetti 2014

  All rights reserved

  Susan Fanetti has asserted her right to be identified as the author of this book under the Copyright, Design and Patents Act 1988.

  This is a work of fiction. Names, characters, places, and incidents are a product of the author’s imagination. Any resemblance to actual persons, living or dead, events, or locales are entirely coincidental.

  I am very lucky to have found my way into a global group of women writers whose talent, humor, bawdiness, loving hearts, and weird outlook on life and the world have made my life and my world immeasurably better.

  Jess, Sarah, Lina, and Elena, thank you for your enthusiastic reading, great eyes, and excellent advice.

  Shannon, I wouldn’t be here without you.

  Love my Freaks.

  Tomorrow we will only give them

  a leaf of the tree of our love, a leaf

  which will fall on the earth

  like if it had been made by our lips

  like a kiss which falls

  from our invincible heights

  to show the fire and the tenderness

  of a true love.

  from “And because Love Battles,” by Pablo Neruda

  FOREWORD

  I don’t usually do these, but this book, I think, warrants a little chat up front.

  Other than a general note like the kind I add to the Book Description (e.g., “explicit sex and violence”), I don’t give warnings or indications about the specific content or direction of my stories. I don’t think that’s my place. Not all readers want that. I know I don’t want any kind of warning before I read a book. I don’t want to be prepared for the surprises in store for me inside, and I’d rather err on the side of surprising you too much than too little. That said, before you embark on Show the Fire, I do want to run something past you, without spoiling the story that follows.

  According to the Romance Writers of America, to be considered a “romance,” a story must meet two criteria. Quoting from their website (www.rwa.org), those criteria are:

  A Central Love Story: The main plot centers around individuals falling in love and struggling to make the relationship work. […]

  An Emotionally Satisfying and Optimistic Ending: In a romance, the lovers who risk and struggle for each other and their relationship are rewarded with emotional justice and unconditional love.

  Although there’s a lot more going on with the Night Horde than simply romance, I have kept those criteria in mind as I’ve written the stories that make up the Signal Bend Series, and I am committed to adhering to them. Each book focuses on the developing romance of a couple, and the story is told through their eyes. Each book has ended optimistically, with the couple together. This book does, too. I have completed the first draft of Book Seven, the last, and I can tell you that the narrative of every book conforms to the guidelines of the genre. At the end of each book, the romance that is its heart is in a good place. Furthermore, the series considered as a single narrative itself—which is how I think of it, as one long story—also conforms to the genre.

  But if you’ve read this far in the series, you know that there’s pain and heartbreak and loss in my love stories. These men and women live in a dangerous world. They work hard for their optimistic endings, and happily-ever-afters are tough to come by. Often, the best anyone can hope for is a happy-for-now.

  In this book, the pain, heartbreak, and loss might be more acute than in the others. It certainly was for me as I wrote it. So I want to start off your journey with this note. There’s one chapter here, in particular, that is darker than anything else I’ve written. But there will be light again.

  Love stories and optimistic endings of each book and of the series—my promise to you. There is always light at the end.

  Welcome back to Signal Bend.

  Susan

  One more note: This novel backtracks slightly in the series timeline, beginning with an event that took place in Chapter Twenty-Three of All the Sky. Because we’re now in Len’s POV, very little of the last part of Book Five will be retold. But before you furrow your brow and wonder how Omen, Wrench, and Mikey are still alive, I’ll just say up front that it’s because they’re about to get killed again.

  CHAPTER ONE

  Len saw Wrench walk toward the back of the truck with a strange sense of purpose, and he understood what the Prospect intended to do. Without thinking more, Len yelled, “Wrench, no!” And he took a running, flying leap toward the kid.

  Not quick enough, though. With Perro Blanco cartel assholes coming up on them, while Len was still leaping and shouting the words that, had he gotten them out a second or two earlier, might have stopped a bloodbath, Wrench threw up the door on the back of the truck. Bullets began to fill the air before Len landed on the ground. Wrench landed right after him, half his head blown away.

  No time for thinking. Len rolled quickly up to a squat, pulling his piece as he did so, looking for Isaac. His priority was Isaac. But he couldn’t see him anywhere. Fuck. Was he down already?

  Feeling a tingle at his back, he spun, still in a squat, and took out the guy drawing a bead on him.

  He saw Show, using his bike for cover. He saw Havoc, on the ground, in the open, drawing off to the right, toward the far side of the truck. He yelled, but Len couldn’t hear what he’d said. Maybe just a battle cry. Then Havoc turned away. He was bleeding, and too exposed, but Len could see that he’d jacked in. In situations like this, Havoc got a look about him, like he’d gone to another plane of consciousness, leav
ing his body behind.

  Finally, Len got Isaac’s position, at cover behind the truck. Good.

  Len was out of cover himself, but as SAA his job was to know the situation of his brothers before he worried about himself. He scanned for the remaining kids—Omen and Mikey. Mikey was down, bleeding heavily from his neck, his chest rising in erratic gasps. Fuck. Fuck, fuck, fuck.

  Then, not far to his right, he heard the distinctive, troubling sound of a gun dry firing. The rapid, continuous clicks told Len all he needed to know. No seasoned cartel warrior would dry fire more than once. Few seasoned cartel warriors would dry fire at all. They’d keep track of their shots, as Len did. And Havoc. And Show. Isaac. Seasoned.

  He turned fast to see Omen running backwards, firing his empty piece at a big, grinning lug, who was aiming an AK and obviously toying with the kid. Len’s rage at that belligerence matched his concern for the boy. What asshole plays around in the middle of a firefight? He sprung from his squat, into the air—his knees thinking all of this bouncing around was really for much younger people—intending to bring Omen to the ground, roll, and put an end to the asshole, use the inattention that cocky bullshit suggested against him.

  But the Perro decided to end his game at just about the exact moment Len leapt. Fire went through Len’s belly, and all his air left him in a whoosh. He landed hard on the ground. Before he could get his bearings, the Perro had taken Omen down, too; the kid dropped not five feet from Len.

  The pain in his gut was like nothing he’d ever known, but when the Perro, still grinning, pulled his AK up and brandished it over Omen, Len forced his arms up and steady and put a bullet in his cocky, motherfucking head.

  Len’s gun dropped from his hands as all of his strength left him, and his head dropped hard to the ground. A few minutes or seconds later, the air was quiet. He tried to lift his head again and understand how bad the situation was, but the pain in his gut exploded when he tried. Christ, it was like his belly was full of white-hot razorblades. He could feel his back sopping wet—through and through, then. That was good. If he didn’t bleed out, anyway.

  “Len! Fuck!” Show dropped to his knees at his side and started taking his kutte off. Len thought that was weird, but then Show took his shirt off, too, and wadding it up. He pressed it into Len’s gut—fucking Christ that hurt more—and Len couldn’t hold back the groan.

  “Sorry, brother. Gotta try to stop the bleeding.”

  “Went through,” Len gasped. “We lost Wrench. Who…else?” Every word had to be dragged out of his throat. His entire body wanted to close in on his gut. It was hard to think, and the world was going dark around the edges, but he held all that off. “Who else?”

  “We lost Wrench, Mikey, and Omen.” Isaac’s voice, dark with fury. Len tightened his focus and saw his President standing at his side.

  “The kids. We…lost all…the kids.”

  Isaac nodded.

  “Get me home. Don’t want…the bullshit here. Home.”

  Havoc walked up then, his face bleeding, but otherwise whole. Len closed his eyes.

  The last thing he heard before the darkness got loud was Show saying, “It’s through and through, but he needs real medical care. We need friends, Isaac. We’re far from home. We need friends, and now.”

  ~oOo~

  Fuck, it hurt. Fuck! Of course he’d heard that gut wounds were an awful kind of pain—that shit was legendary—but he’d never had the misfortune to experience it for himself. He’d been shot before, in the arm and the leg. Those hadn’t felt like angel kisses, but what was going on inside him right now was something else. Staying unconscious was vastly preferable, but there was shit going on, and he had to try to focus. He was in an ER. He thought he was in Illinois, even though he’d said he wanted to go home. He didn’t recognize this ER, and he didn’t think he’d been out long enough to have made it back to County. Or, maybe he had. How did he know?

  No. He knew the County ER. He wasn’t there. County had individual rooms. This one was a huge space with curtains dividing the beds. He was still in Illinois. Fuck!

  But people in white coats were arguing, not far from the end of his bed. He looked around—why did moving his fucking head hurt his gut so much?—and he didn’t see any of his brothers. Not one. Had they gotten hauled in? Had there been more cartel trouble?

  He hated not knowing. And he hated that he was alone. That was new—usually he didn’t mind being alone at all. Len was a loner. He loved his brothers and would die for any one of them, and he loved being neck deep in a pile of pink pussy, but he liked his own company most of all. He had friends, but he didn’t have a friendship with anyone like Isaac and Show had, or Havoc and Bart. He never had.

  Well, that wasn’t true. Once, he’d been close to someone. A long, long time ago.

  Once was enough.

  If pressed, he supposed he’d say he was closest to Badger. But that was more of a mentor thing or something. Badge was a good kid. Len liked the kids—the new patches, all of them so fucking young. They’d brought new life into the club, and he thought they were becoming fine members. Loyal and ready.

  With that thought, Len remembered that they’d lost three—three—of the kids on that parking lot. Including Omen, who’d been a patch for years now. Omen. God.

  Fucking Wrench! What the fuck had he been doing? It was stupid of them to bring a Prospect on a cartel weed run. No—it wasn’t. Wrench was in danger of timing out. They’d needed to get a read on him or cut him loose. They couldn’t put a patch on a guy who couldn’t hold up his side of the table. They’d needed to know.

  Well, they knew. Now he was dead. Mikey was dead. Omen. Christ.

  Maybe him, too. This pain felt like death, no doubt. He closed his eyes, letting the arguing become a drone, and tried to pull the black up over his head.

  He thought it was working. He could sense a big shadow cover the light through his eyelids. But then the shadow spoke.

  “You around, brother?” Show.

  “Yeah.” Even to his own ears, his voice sounded like that of a ninety-year-old man.

  “You sure you want out? They want you in surgery.”

  “Just fuckin’ patch me up and get me home.”

  “It’s a gut wound, Len. Needs more than a piece of gauze and some tape.”

  “Is it gonna kill me?”

  “Could, I guess.”

  “Then, fuck. Let me die on home ground. Don’t trust these fuckers.”

  “Okay. We’re working on it.”

  Show said something else, but Len let him fade away.

  ~oOo~

  When Len next awoke, he was in a regular hospital room—a double, but the second bed was empty. His gut felt raw and open, and he shifted gingerly, feeling the pull of sutures, and turned the thin covers back to get a look. Not much to see but a wide, white bandage from one side to the other. Looked like he’d been out for a while. He had no idea whether he was still in Illinois, but he’d find somebody’s ass to kick if he was.

  He looked around the room. Hospital rooms all looked alike—not like the ER. But then he caught a glimpse of the whiteboard near the door and saw the logo for County in the top left corner. Home, then. They’d brought him home. And he was still alive.

  Okay, then.

  And, apparently, his nurse’s name was Mercy—really? Mercy?—and the LPN was Joan. Maybe Mercy would have some mercy on him and get him some pain meds. He felt around the bed and the railings until he came up with the nurse call button.

  Somebody answered within a few seconds. “Mr. Wahlberg?”

  “Yeah.” Christ, was that his voice? His throat felt like it had been gone over with a road grader.

  “We’ll be right in.”

  That was no lie—the door opened seconds later, and Dom came in, with two nurses right behind him, wearing scrubs in bright, cheerful patterns.

  “Glad to see you awake, brother.” The kid smiled a little, but not much, and Len remembered that they’d lost Omen. Dom’s b
est friend. Since they were just small. They’d been Prospects together; they’d patched in together. They’d kept rooms side by side in the dorm. Fuck, for all Len knew, they’d fucked the girls together.

  “Hey, Dom. How you doin’, kid?” It hurt to talk, but he was damn glad to see a brother. The thought that he’d been left alone had been pestering him since he’d woken in the Illinois ER.

  He hadn’t been alone then, either. The Horde wouldn’t leave a downed man on his own. Why he was feeling all jittery about it was beyond him.

  Dom laughed a little. “I should be asking you that question. You’re the one with your guts ripped out.”

  “Actually, I should be asking that question.” One of the women in the happy scrubs stepped up from whatever she’d been doing at his IV stand. She was an angular, older woman, with severe, short hair and wire-rimmed glasses. The pink and purple flowers on her white top seemed excessively optimistic for her. Len read the plastic name tag hanging from the red lanyard around her neck. This was Mercy.

  The other woman was much younger and filled out her scrubs nicely. She took his pulse and checked some machines and then stepped back. When Len caught her eye, he smiled. She smiled back. Oh, interesting.

  Mercy’s sharp, nasal voice drew his attention from the treat in the corner. “On a scale of zero to ten, ten being unbearable, what would you rate your pain right now?”